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Theater und Konzertprogramm 1972-73 [Spielzeitübersicht]
Viersen ab 1970 >> Kommunikation und Kultur (FB 90) >> Kultur >> Öffentlichkeitsarbeit >> Programmhefte
1972 - 1973
Enthält: Abo A: Schauspieltruppe Zürich "Frau Warrens Beruf" (05.10.1972); Thalia-Theater A.G. Zurück "Ein Mond für die Beladenen" (18.11.1972); Schweizer Tournee-Theater Basel "Die Ratten" (16.01.1973); Thalia Theater A.G. Zürich "Tartuffe" (13.03.1973); Deutsches Theater Göttingen "Der Talismann" (01.04.1973); Bühnen der Stadt Köln "Die Möwe (05.1973); Städtische Bühnen Münster "Tosca" (09.11.1972); Theater Oberhausen "Die verkaufte Braut" (09.02.1973) und "Der Graf von Luxenburg" (04.05.1973); Niederländisches Nationalballett (02.12.1972) Abo B: Deutsches Theater Göttingen "Die Hebamme" (08.10.1972); Schweizer Tournee-Theater Basel "Hadrian VII." (23.11.1972) und "Die Physiker" (18.01.1973); Bühne 64 Zürich "Plötzlich letzten Sommer" (07.02.1973); Tourneetheater Thespiskarren "Bürger Schippel" (07.02.1973); Stadttheater Aachen "Herr Puntila und sein Knecht Matti" (28.5.1973); Schweizer Tournee-Theater Basel "Anatevka" (08.12.1973); Theater Oberhausen "Die vier Grobiane" (03.04.1973 und "Die Fledermaus" (09.05.1973); Cullberg Ballett (18.10.1972); Abo C: Neue Schaubühne Salzburg "Die Falle" (24.10.1972); Schweizer Tournee-Theater Basel "Anatevka" (09.12.1973); Das Kom(m)ödchen (20.03.1973); Euro-Studio Neustadt "Gemischtes Doppel" (05.05.1973); Berliner Tournee "Revanche" (20.05.1973) Studio: Westfälisches Landestheater Castrop-Rauxel "Die heilige Johanna der Schlachthöfe" (11.10.1972); "Die englische Geliebte" (12.11.1972); "Der Frieden" (15.02.1973; "Geschlossene Gesellschaft" (30.03.1973); Kammerkonzerte: Ebert Trio (17.10.1972, Lotte Ebert, Wolfgang Ebert, Georg Ebert); Concentus Musicus (30.11.1972, Leitung: Nikoluas Harnoncourt); Ingeborg Hallstein (20.02.1973); Allegri-Quartett / Karl Enge (10.03.1973, Hugh Maguir, David Roth, Patrick Ireland, Bruno Schrecker) Sinfonie: Kölner Rundfunk-Sinfonie-Orchester (23.09.1972, Dirigent: Zdenek Macal); Prager Symphoniker (14.11.1972, Dirigent: Jindrich Rohan, Solist: Sascha Vectomov); Bamberger Symphoniker (07.12.1972, Dirigent: Eugen Jochum); Radio-Sinfonieorchester Sofia (27.01.1973, Dirigent: Wassil Stefanov, Solistin:Dina Schneidermann ); Royal Philharmonic Orchestra London (24.03.1973, Dirigent Rudolf Krempe, Solist: Nelson Frerie); Kinder- und Jugendtheater
Akten
Becker, Maria
Keller, Heide
Freitag, Robert
Moog, Heinz
Emo, Maria
Böhm, Karlheinz
Hatheyer, Heidemarie
Korte, Hans
Lowitz, Siefried
Jacobsen, Karin
Kayssler, Christian
Meinrad, Josef
Wolf, Gusti
Regnier, Charles
Hoppe, Marianne
Heesters, Nicole
Mensching, Herbert
Dautzenberg, Dirk
Jokisch, Walter
Hielscher, Liane
Jäger, Hanns Ernst
Polani, Chaim
Dieden,Liesel
Ode, Erik
Dux, Eckart
Eickelbaum, Karin
Fink, Agnes
Wicki, Bernhard
Stankowski, Ernst
Benrath, Martin
Reichmann, Wolfgang
Schroth, Hannelore
Verhoeven, Paul
Peter Schütte
Striebeck, Peter
Strack, Günter
Dietl, Harald
Frank, Horst
Anselm, Karin
Grosser, Renate
Ebert, Lotte
Ebert, Wolfgang
Ebert, Georg
Maguire, Hugh
Roth, David
Ireland, Patrick
Schrecker, Bruno
Harnoncourt, Nikolaus
Hallstein, Ingeborg
Werba, Erik
Macal, Zdenek
Rohan, Jindrich
Vectomov, Sascha
Jochum, Eugen
Krempe, Rudolf
Freire, Nelson
Stefanov, Wassil
Schneidermann, Dina
The Bundeszentralkartei (BZK) is the central register of the federal government and federal states for completed compensation proceedings. When a claim is entered into the BZK, a number is assigned for unique identification. This BZK number refers to a compensation claim, not to a person. If a person has made several claims (e.g. for themselves and for relatives), each claim generally has its own BZK number. Often, the file number of the respective compensation authority is used as the BZK number.
This number is important for making an inquiry to the relevant archive.
Delict according to Nazi judicial system
Conduct that was first criminalized under National Socialism (e.g. the Treachery Act, ‘Judenbegünstigung’) or which the Nazi judiciary prosecuted more severely (e.g. high treason).
Reason for persecution
The reasons provided here are based on the wording in the reasons for persecution stated in the sources.
Role in the proceeding
‘Verfolgt’ refers to a person who submitted a compensation claim for damage caused by Nazi persecution. If the application was submitted by a person other than the persecuted person, this other person is designated as ‘antragstellend’ and their relationship to the persecuted person, if there is one, is noted. In the sources, the persecuted person is sometimes referred to as ‘Geschädigter’ (aggrieved party) and the applicant as ‘Anspruchsberechtigter’(claimant).
Search in Archivportal-D
You may find additional archival material on this person not related to Wiedergutmachung in the Archivportal-D.
Additional information on reason for persecution
Additional or more specific information on membership and group affiliation which were the reason for the persecution.